His childhood affinity to such parade of patterns, unveiling of inner flares and the speed helped to develop an unavoidable composite tool to confront this plasma state of uncertainty. Subir defines his work as ‘Design Art’, and this ‘Design’ is nothing but the eternal internal knowledge. The knowledge of being the communicator. The shape or form of anything basically reflects the intended communication or wish fulfillment. As the context of the communication changes, also changes the shapes and forms. For example, a lampshade or furniture, which has been there for ages, has changed its shape through time. Though the utility remains same, multi-contextual impacts like cultural and socio-political influence of time has changed its form. And this ever changing shapes and forms give birth to designs. So, basically Subir’s works, varying from two-dimensional to three-dimensional art forms, are an attempt to address these changing contexts and patterns/designs of time. Change is only stable; And Designing Balance; these are two derivatives of Subir’s work. Subir explores architecture, jewellery, furniture and textile with great interest to ‘design’ his works with authority and confidence percolated from his inheritance.